Filipows longing after harmony was abruptly ended before she was satisfied. Thanks to various shenanigans It actually arrive with his Orchestra in Paris. Mihileanu raises an interesting aspect of the fraud. Filipov cheats not only to survive, to find back its dignity. He cheats to overcome the circumstances that hold him captive, – to finally to become who he really is.
His guiding principle is harmony. In a key scene he a fellow who holds still on the exterior establishment of a Communist State, makes it clear that was an orchestra like a world in miniature. The musicians create magical sounds, which form a harmony, and if that is the case, the game of the Orchestra have created the true communism. Mihileanu has given a commitment to the music here, as always to hear with Sufis and other Mystics. The unity or harmony of all people and of all beings is a musical, which is not representable with words. This seems to be an order leading up from the outside to, such as the detailed Counterdraft in the Communist Experiments of the last century was tried. After all, one can say, was very high in the Soviet Union the status of the music.
The order induced from outside will be sought by radical Islamic movements and States such as the Iran in this century. The Iran has not only already banned the music teaching in State schools, for half a year the full music teaching ban also applies to private schools. Observers expect an outright ban on music in the Iran in the future. If we look at music as a contribution to the dignity of the human being, each played note is a contribution to solidarity with every single person in the Iran yearning for freedom. Filipov is committed to music. With this goal in mind he inserts everything to achieve the moments of harmony.